Anna Lucia Maramotti Politi talks about violin making: lutherie as a response to the present and the future (4/4)

Filippo Generali

In the final installment of this extensive conversation, Professor Anna Lucia Maramotti Politi addresses some of the most pressing questions of our time. In an age marked by technological acceleration, artificial intelligence, and the ongoing transformation of production processes, what significance can activities based on slowness, listening, and craftsmanship still hold? Cremonese violin making...

Summary

Between Wood, Music and Memory: Nicola Segatta’s Unconventional Story

Anna Lucia Maramotti Politi talks about violin making: training, teaching, and thought (1/4)

When Cremona Challenged Mittenwald: The Story of the "Violetto" and the Dispute Between Luigi Digiuni and Johann Reiter

At the Museo del Violino Antonio Stradivari’s Sabionari and Giustiniani Guitars and Nicolò Amati’s ex-Hepton Violin

Lorenzo Frignani: Forty Years of Instrument Making, Restoration, and Historical Research in Search of the Deeper Meaning of Luthiery

Concours Musical International de Montréal: The Top Prize Includes a Guarneri “del Gesù” Violin

Stauffer Opens the Musical Summer: Five Evenings in the Garden with Young Talents and Great Masters from June 21 to 25

At the Cremonese Roots of Monteverdi’s Vespers. On Sunday, Monteverdi’s Vespers at Sant’Agostino will officially open the Monteverdi Festival

Frida Kahlo: Magical realism and presence as alternatives to escapism

Aristide Cavalli and the Attempt to Revive Modern Cremonese Violin Making