Aristide Cavalli and the Attempt to Revive Modern Cremonese Violin Making

Aristide Cavalli was one of the lesser-known violin makers who worked in Cremona after the death of Enrico Ceruti, and one of the most interesting figures of the early twentieth century. Remembered above all for his marked entrepreneurial abilities, he was...

From the ancient “Cantone dei liutai” to a new form of renaissance in musical urbanism

The numerous urban transformations of the luthier world in Cremona—from the birth of what is known as “Classical Violin Making” (Andrea Amati 1505–1510 / 1577) up to the present day—offer the starting point for a new...

The musical voice of Leonardo in the villa of Cecilia Gallerani. The exhibition of Leonardo-inspired instruments by Michele Sangineto has opened

In the Lowlands, the expression “the sound of genius” leads directly—unequivocally and immediately—to the supreme luthier: Antonio Stradivari. An indisputable fact, though not an absolute one. Many musical geniuses have passed through...

Leonardo’s “New” Musical Instruments, Science as a Necessary Reference for Research

The occasion of the event at the Villa of the Lady with the Ermine offers an opportunity to revisit several themes concerning the significance of lutherie, which goes far beyond bowed string instruments understood merely as tools for making...

Between Tradition, Myth, and Market: Lights and Shadows of Italian Luthiery Told by Maestro Alessandro Voltini

Alessandro Voltini is one of the most respected contemporary Italian luthiers. Winner of the 1994 International Triennial Luthiery Competition with a cello, he has devoted his career to the construction, restoration, and teaching of stringed instruments,...

The World of Luthiery Mourns Andrew Fairfax, Scholar, Restorer, and Man of Great Integrity

He was one of the most knowledgeable luthiers, restorers, and experts of our time, as well as a person of great integrity and dedication, qualities he demonstrated throughout his long professional career. Our last meeting took place in Mittenwald in 2022,...

Violin Making as Research: The Legacy of Giobatta Morassi between Art, Science, and Tradition

The third section, which reproduces verbatim the Lectio Magistralis of Dr. Maestro Giobatta Morassi, focuses primarily on the legacy of the great violin-making tradition of Cremona, concluding with a critical reflection: violin making must be a field of...

Preserving the Past and Seeking in the Present: Reflections on Violin Making with M. Giordano

A multifaceted figure in the landscape of contemporary violin making, Alberto Giordano combines artisanal mastery with profound historical and artistic culture. Trained at the International School of Violin Making in Cremona under the guidance of masters such...

Cremona, Udine, and Venice: the crossroads of Maestro Giobatta Morassi's violin making

The reference to the forests of Tarvisio and Paneveggio introduces Dr. Master Giobatta Morassi’s Lectio Magistralis for the conferral of the Honorary Master’s Degree. As has already been mentioned, this is merely a preamble. We must, however,...

The Lectio Magistralis on Wood: The Art of Violin Making According to Maestro Giobatta Morassi

It was June 2015 when Maestro Giobatta Morassi was awarded an Honorary Master’s Degree. The mention has been purposely delayed: only the online magazine Il Suono e l’Arte could give the appropriate reach to the text of the inaugural lecture...